Jackie Chan - How to Do Action Comedy

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Some filmmakers can do action. Others can do comedy. But for 40 years, the master of combining them has been Jackie Chan. Let’s see how he does it. (Note: to see the names of the films, press the CC button!)

For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting

And follow me here:
Twitter: https://twitter.com/tonyszhou
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The 9 Principles of Action Comedy
1. Start with a DISADVANTAGE
2. Use the ENVIRONMENT
3. Be CLEAR in your shots
4. Action & Reaction in the SAME frame
5. Do as many TAKES as necessary
6. Let the audience feel the RHYTHM
7. In editing, TWO good hits = ONE great hit
8. PAIN is humanizing
9. Earn your FINISH

Five Jackie Chan Fights (An Introduction)
Wheels on Meals - Benny vs Jackie (https://www.youtube.com/watch?v=eI2dzMEzX2w)
Police Story - Mall Finale (https://www.youtube.com/watch?v=Xk4dUq4zE_o)
Police Story 2 - The Playground (https://www.youtube.com/watch?v=BTvRS9Khd5w)
Miracles - The Rope Factory (https://www.youtube.com/watch?v=Bn1n5dI1uB4)
Drunken Master 2 - Finale (https://www.youtube.com/watch?v=WEt4B1poOfM)

Music:
Jackie Chan - Police Story Theme
Ash - Kung Fu
Chow Fu-liang - 8 Drunken Gods (Main Theme)
Jackie Chan - Who Am I? Theme
David Tao - Fantasy Mission Force

Interview Clips:
Jackie Chan interview on filmmaking: https://www.youtube.com/watch?v=ft43yyuuoYk
Bey Logan talks about Project A: https://www.youtube.com/watch?v=TT_0Q6GNgWk
An Evening with Jackie Chan: https://www.youtube.com/watch?v=2ikrj5HwCzw
Jackie Chan - My Stunts: https://www.youtube.com/watch?v=VYpwwYojns0

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Michael Bay - What is Bayhem?

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There are filmmakers we love and then there's Michael Bay. Even if you dislike him (as I do), Bay has something valuable to teach us about visual perception. This is an exploration of "Bayhem" — his style of camera movement, composition and editing that creates something overblown, dynamic and distinct.

For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting

And follow me here:
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For further reading/viewing, I recommend
Letterboxd user sydney's review of Bad Boys 2: http://bit.ly/1iZe7SX
Michael Bay watches West Side Story: http://nyti.ms/Vg7ErY
Werner Herzog Talks About Wrestlemania & Anna Nicole Smith: http://bit.ly/VfQ9Iu

Music:
The Sound Defects - Take Out
Leonard Bernstein - West Side Story Overture
Radiohead - I Might Be Wrong

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How to achieve a Film Look - DSLR film making

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See more of my work at my website: http://www.jakecoppinger.com - Australian Year 12 student.
A tutorial for beginning filmmakers to create a cinematic look with your footage for low budget film making. In this video I cover the basic cameras settings to achieve a common style and some effective editing techniques to begin with. Have a read of the comments - some much more qualified people have shared their useful tips.

As this film is aimed for absolute beginners - I highly recommend Fenchel & Janisch's more advanced (and more qualified) tutorial: https://youtu.be/pf_3gX_Z6Lo

Something I did not mention is that you can use a neutral-density filter to reduce amount of light entering the camera. This will allow you to shoot with a wide aperture in bright daylight while keeping the exposure correct.

While I mentioned you could overlay an image with black bars to make a 2.35:1 aspect ratio, some filmmakers in the comments suggested it's better to make the project itself the correct ratio so that films display better on ultra-widescreen displays (they are 100% right). You can change this in the composition settings or in the export settings in premiere - for 1080p footage the resolution will then be 1920x810 pixels (rather than 1920x1080). If you still want to use the template to letterbox the video you can download the template here: http://cl.ly/0Z1z390h1E2g

Jake Coppinger, Year 12 student.
See more of my film and other work at my website - http://www.jakecoppinger.com





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Edgar Wright - How to Do Visual Comedy

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If you love visual comedy, you gotta love Edgar Wright, one of the few filmmakers who is consistently finding humor through framing, camera movement, editing, goofy sound effects and music. This is an analysis and appreciation of one of our finest comedic voices.

For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting

And follow me here:
Twitter: https://twitter.com/tonyszhou
Facebook: https://www.facebook.com/everyframeapainting

For further reading/viewing, I highly recommend
David Bordwell's essay on funny framings: http://davidbordwell.net/blog/2007/04/30/funny-framings/
And David Chen's video essay on Wright's use of close-ups: https://vimeo.com/85311313
And Ryan Gosling Won't Eat His Cereal: http://www.youtube.com/watch?v=ohJtvuCAsp4

Music:
Sex Bob-omb - We Are Sex Bob-omb
Primal Scream - Loaded
Tubthumper - Kick Out the Jams
Rob Viktum- 4/17/75
Pete Woodhead & Daniel Mudford - You've Got Red on You / Shaun of the Dead Suite
DJ Shadow - Why Hip Hop Sucks in '96

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