IceflowStudios is run by Howard Pinsky, providing FREE Adobe Photoshop and Adobe Photoshop Lightroom video tutorials to the graphic design and photographer community. As an Adobe Community Professional, Howard's Photoshop tutorials have been recognized by schools around the country, design blogs, and by Adobe. To date, the videos uploaded to the IceflowStudios YouTube channel and website have been viewed over 80 million times.
No matter what you're looking to learn in Photoshop, you're bound to find it in our library of over 350 tutorials. Topics include: Text Effects in Photoshop, Photo Composition, Photo Retouching, The Basics of Photoshop, Designing in Photoshop, Special Effects, and more! While new videos will be taught using the latest version of Photoshop, you'll find videos covering Photoshop CC, Photoshop CS6, CS5, CS4, and CS3.
For more information on Adobe Photoshop, check out Adobe's website at: http://www.adobe.com/products/photoshop.html
For the written version of most of our tutorials, check out: http://www.iceflowstudios.com/
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Photoshop CC 2014 tutorial showing how to make your photo look like it was printed on the front page of The New York Times newspaper and how to add your own custom newspaper headline!
Newspaper PSD template: https://db.tt/KdStzb55
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This episode is a real turn on! Car lovers rejoice: Learn How to Turn on Headlights in Photoshop! Learn all the tricks to creating realistic light, including lens flares and light streaks made from scratch.
A great way to start is to really analyze and sketch out your ideas for the photo. This can clarify what will need to be done to complete a realistic effect.
For this picture, we plan out where the beam of light will be and in which direction it will shine. We also decide that it makes sense for the light to be brighter closer to the actual headlight, and gradually decrease as it gets farther from the car. We notice that the headlight should be shown shining on the road as well. And for a special touch, a lens flare will complete the look! Creating the Beam of Light
Select the polygonal lasso tool and create a shape that will encompass the main beam of light. Fill it with white. Now, go to Filter - Blur Gallery - Field Blur. You will see a little dial pop up, which can be adjusted to add less or more blur. You can click on another area and add an additional blur dial. This is very useful because it allows you to make the beam of light blurrier as it gets father from the car! If you need to, you can transform the beam (Cmd + T) to be at a slightly different angle, or stretch it out.
Adding Effects to the Light
To give the high-beam a glow, double click on the layer and check the "Outer Glow" box. You can choose the color for the glow - we chose a yellowish tint here. Feel free to adjust the amount of glow as well as the opacity to get just the look you are going for! Add a layer mask and create a gradient over it to lessen the glow as it gets farther from the car.
Adding Subtle Light Streaks
This is a small adjustment but will go a long way in terms of impact! Using the brush tool, click all over and make random dots and marks on a new layer. Then, go to Filter - Blur - Radial Blur. Select "Zoom" and adjust the amount of blur. It will make the dots look like they are moving at warp speed, which will later turn into light streaks! Place the center of the layer right over the headlight. Change the Blend Mode from Normal to Screen. Then, create a Hue/Saturation layer if you need to change the color of the light. Again, don't be afraid to transform this layer to adjust its angle or size. Go with what looks right (it might take some time to be able to recognize what looks most correct. Keep practicing!).
Adding Light to the Road
This is the same concept we used for the initial beam of light. Create oval shapes on the ground using the elliptical marquee tool, and fill it with the same yellowish color we used for the light streaks. Add a gaussian blur to the layer and duplicate it so that it appears to be coming from each headlight. The color can be tweaked by using a Hue/Saturation adjustment layer.
Special Touches: Lens Flares & Gradients
Now the real fun begins! Create a stamp visible layer (Shift +Opt + Cmd + E). Go to Filter - Render - Lens Flare. You are able to choose the size and position of the flare. However, it is very limiting to place the lens flare directly onto the stamp visible layer. To get past this problem, place the lens flare on a black layer and change the Blend Mode to Screen.
Gradients are simple but quite impactful. Click on the Gradient Tool and create a gradient that goes from black to a bright yellowish orange color. Then change the Blend Mode to Soft Light. The black part of the gradient serves as a sort of vignette, and the bright part of the gradient will reflect what is happening with the bright headlights.
As you can tell, there are many little details in this technique that work together to create a realistic final look. If you take the time with each step, there will be no question that your headlights are truly turned on!
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Small Video Tutorial about adding some amazing effects on your awesome images to add rock them up with some quotes or messages or anything you want. You can actually control the exposure of the images with this small tutorial .
To control the exposure of images with small tool which comes in built in Windows, just open paint and select 'Marker' as effect. With this tutorial you can easily write over the images from paint no need of photoshop
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Photo Effect 07 - Portrait To Pencil Sketch Photoshop CS6 Tutorial This Photoshop tutorial shows you how to create a drawing effect using Photoshop.. Learn how to transform photos into realistic pencil drawing.
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To select out the different colors, create a new layer and go to Select - Color Range. Click on the color you want to sample with the regular eyedropper tool. You can play with the fuzziness to get more of an accurate selection. Also, if you need to add or take away from your selection, you can use the eyedroppers with the plus and minus symbols next to them to do so.
Next, go to Layer - New Adjustment Layer - Hue/Saturation. This will load your selection directly into the Hue/Saturation layer so that you can adjust the hue sliders and change only the colors you want to change!
Refining Layer Masks
If you have small unwanted parts in a selection, you can always paint over it with a brush tool on the layer mask.
Tip: If you hold alt/opt and click on a layer mask, it will appear as black and white. This can be very helpful for seeing tiny stray colors in your selections.
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How to Create a Caricature From a Photo | Photoshop Tutorial
In this Photoshop Tutorial I will create a Caricature in Adobe Photoshop! A fantastic photoshop tutorial that will help you create amazing portraits!
Here is the photo I used in the tutorial: https://www.dropbox.com/s/wc3q3ib69kys2na/Evan%20Photo.jpg?dl=0
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For this specific look, you will need three elements:
-Side view portrait -Painted background -Hat (If not already on the subject)
Use various selection tools to select and position your images where you would like them to go. Keep in mind that album covers are generally in a 1:1 ratio (a square). We suggest unchecking “delete cropped pixels” so you can recover your image if you need to.
When your portrait is ready, it’s time to make it into a sort of silhouette! Turn it into a layer mask by holding Crtl/Cmd and clicking on your subject to select it, and then clicking the layer mask button.
From here on out, this technique is mostly just playing with blending modes. We inverted the blue color so that it appears bright orangeish red, so that’s something you might want to experiment with. For this specific image, we utilized the subtract blending mode. We also played around with the size and position of the painted background layers to get different effects. Don’t forget that you can unlink your layer masks for more control!
Quick Tip: To flip through the blending modes, hold Shift and press the plus or minus keys (make sure you are on the move tool first)
Feel free to play around with text as well. You can make adjustments in the character panel for things like tracking, caps, font, and size. We use Helvetica Neue for this episode. If you’d like to add a drop shadow, double click on the text layer and go down to drop shadow. After tweaking it to your liking, you can actually drag that drop shadow onto other layers while holding Alt/Opt and it will copy it over for you! -----------------------------------------------------------------------------------------------
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Photoshop CC tutorial showing how to apply the cinematic effect to your photographs. The cinematic effect that we're going for is the teal-orange look, which is a typical movie effect in action movies.
This effect gives the dark shades of your image a cool teal tone, while the light shades take a warm orange look. This makes the actor stand out since the colors are complementary and creates a "pop"when put side by side.
It is a good idea to do a color correction on your image, so you that it has neutral grays and no color cast.
Here's my tutorial on color correction in case you need some help with that . http://photoshoptrainingchannel.com/curves-color-correction/
If you have any questions please leave them below or head over to this tutorial's page on our website:
For more on Anil Mungal: http://www.anilmungal.com
Today’s topic is – The Best Photo Editing Software – and I might add this is according to a professional photographer.
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My guest again is Anil Mungal, a 10 year plus veteran of photographer, with a body of work ranging from pro athletes to big-screen celebrities.
Anil shares his thoughts on two popular pieces of photo editing software – Aperture, made by Apple, and Photoshop Lightroom by Adobe. I will have more details about both of these at the end of this video.
Anil also discusses shooting in Black and white. How things have changed since the film days and how software tools have made a photographer’s life much easier.
To begin, I asked Anil Which software tools he uses to edit his photos?
I use a program called Aperture. It’s on Apple. It allows me to do really great edits. It also allows me to edit and manage my projects nicely. It’s very similar to Adobe’s product called Lightroom and it very similar. Those are really the 2 products that people would use to do post processing with. Sometimes I do use a bit of Photoshop but for the most part the amount of editing I do is very limited. I like to color correct, crop, and do a little bit of sharpening and adjusting and that’s about it. I don’t do very much. I don’t do any skin cleaning unless I’m doing a portrait or something.
Do you work very much in black and white? No I don’t really have clients that ask for black and white anymore. Everything that I shoot is digital so it’s always in color. When I need black and white I will, in post, convert to black and white. I actually still have a film camera that I love shooting and if I want for my personal self to shoot some black and white I will shoot some black and white film.
Is there a drastic difference in the look between shooting in black and white film and shooting color and actually pulling out the chroma?
Well, different black and white films have different characteristics. First of all back then you would have to choose the actual ISO. You would choose either a 100 ISO black and white film or a 400 ISO black and white film. And they would have some kind of grain in them and have some character. And depending on how you developed them those pictures would come out looking a bit different. So it was almost like each film and each paper and each developer had its own look and feel to it. I think you can kind of emulate that in post using some black and white tools. In the end you can probably get something that looks very similar. Its really just the process that’s different more than anything else.
And this process that Anil refers to can be achieved using both Photoshop Lightroom and Apple’s Aperture. Both these pieces of software are available as downloads online.
Apple, in its infinite wisdom, allows you to get access to multiple tools all within one platform. When working in Aperture you have the same powerful tools that Final Cut Pro X uses. FCPX is Apple’s video editing software. You can apply motion effects to your pictures with a ‘Ken Burns’-like effect. Aperture is available for about $80 U.S.
Adobe’s Lightroom is also a powerful photo editing software. In my opinion it has 3 advantages over the Apple product. First, it operates on either a PC or a Mac computer. Secondly, it comes with a Free 30 day trial period and thirdly it has some real intelligent photo fixing effects like ‘heal’. This tool will automatically determine color, hue and saturation and fix photo flaws.
More videos:
Important DSLR Comparison Feature https://www.youtube.com/watch?v=cFSS7eTiebk
Best Mirrorless Camera https://www.youtube.com/watch?v=bUGqQi8kf_c
This video will show you how to get / try out the various add-ons for Photo Editor By Aviary ie. the Effects, Frames and Sticker add-ons.
NOTE: Every time a new pack is added to the Google Play Store, it then shows up in the app for you to download for free so you'll never need to update this app (only discovered this little gem since uploading the video lol)
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Photoshop CC 2014 tutorial showing how to create fun, memorable images of your photos by giving it a 3D, pop out effect and add personalized text to remember the moment.
MT Matto Script Normal font: https://db.tt/bqHjCqnX
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Magic Wand
First, the subject needs to be cut out from the background. A great tool for this is the Magic Wand tool! Start selecting, and hold Shift to add to that selection when needed. A helpful aspect of this tool is that you can change the tolerance; if you’re selecting too much, lower the tolerance.
The hair is a little trickier than the rest of the body, and we must refine the edge of the selection. Go to Select - Refine Edge. Choose the best view to help you out; in this case, we use the overlay view. Click on the refine edge tool, and paint over the edges of the hair. Doing this will momentarily “erase” the mask from those edges, but will then select only what is similar to the remaining mask. In other words, it should perfectly select out only the hair.
We are going to use this selection to create a layer mask, and we want that mask to apply to all of our future layers. So, put the layer into a group, and put the layer mask onto that group rather than the layer itself. Now, any layers you add to the group will have the same mask applied to them, and you won’t have to worry about creating a new mask of your subject over and over. Step and Repeat
To see how this process works, start by creating any shape and filling it with black. Next, turn it into a selection (hold Cmd and click on the layer).
Step: Opt + Cmd + T to select the pattern. Move it to where you’d like and click enter.
Repeat: Hold Shift + Opt + Cmd + T. This will repeat the duplication that you just completed.
Custom Patterns
Dark patterns on a light background are best for making custom patterns. Go to Edit - Define Pattern. Name it and click OK. Nothing will happen until you go back to the image of your subject and apply it there. Create a new fill layer and select Use: pattern. Select your new pattern in the custom pattern drop down. You can choose different options in the scripted pattern section as well.
Helpful hints:
Photographing your subject on a solid colored background is key for this! To turn any layer into a selection, just hold Ctrl/Cmd and click on the thumbnail of the layer. Multiply is a great blend mode if you want your pattern to show up but include shadows as well. -----------------------------------------------------------------------------------------------
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For more advanced Photoshop Tutorials be sure to check out our Phlearn PRO Tutorials. We offer the best Photoshop tutorials available online starting at just $14.99. http://phlearn.com/pro-tutorials
